Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Bernardo Bellotto
Fantastic architecture with portrait of Franciszek Salezy Potocki and his son Stanislaw Szczesny.
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ID: 93255

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Bernardo Bellotto Fantastic architecture with portrait of Franciszek Salezy Potocki and his son Stanislaw Szczesny.


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Bernardo Bellotto

Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.   Related Paintings of Bernardo Bellotto :. | Ruines de la Pirnaische Vorstadt a Dresde | View of Cracow Suburb leading to the Castle Square | Ansicht von Pirna, Pirna von Kopitz aus, mit Festung Sonnenstein | Dluga Street | Election of Stanislaw August Poniatowski |
Related Artists:
John William Edy
John William Edy (1760 - 1820) was an English painter. He worked for the publisher John Boydell in London, often anonymously. In the summer of 1800 Edy visited Norway on an assignment for Boydell together with the landscape painter William Fearnside. They were in Norway from July 31 and until the end of September the same year.
Gerard Hornebout
Flemish Northern Renaissance Painter and Manuscript Illuminator, ca.1465-1541
anna dorothea therbusch
1721-82 German painter of Polish descent. She was taught by her father, the portrait painter Georg Lisiewski (1674-1751), and received further training from Antoine Pesne in Paris. She worked for Charles-Eugene, Count of W?rttemberg, in Stuttgart from 1761 to 1762, and for Charles Theodore Wittelsbach, Elector Palatine of the Rhine, in Mannheim from 1763 to 1764. In 1765 she returned, via Stuttgart and Hohenzollern-Hechingen, to Paris, where in 1767 she became a member of the Academie Royale. She met Denis Diderot and Philipp Hackert, both of whom she painted, and Charles-Nicolas Cochin , but, despite consistent support from Prince Galitsyn, she was unable to establish herself in Paris. In 1769 she returned to Berlin where she received commissions for mythological paintings (e.g. Diana and her Nymphs, 1771; Potsdam, Neues Pal.) from Frederick II, King of Prussia. She painted portraits of members of the Prussian court, and the Berlin bourgeoisie, and in 1773 was commissioned by Catherine II, Empress of Russia, to paint a portrait of the Prussian royal family.






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